A large number of homilies, sermons and treatises by Maximus survive, covering the seasons of the Church’s year and also the feasts of particular saints. Their ornate late-Imperial style is not always to modern taste, but they are often short and to the point and they provide valuable evidence of Christian practice and belief at that time.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.