In 1005 Alphege became Archbishop of Canterbury. The Danes were raiding once more and in 1011 they besieged Canterbury and captured it. Alphege was imprisoned and an enormous ransom was asked for his release, which he forbade to be paid. On 19 April 1012, at Greenwich, his captors, drunk with wine, and enraged at ransom being refused, pelted him with bones of oxen and stones, till one of them, called Thurm, dispatched him with an axe. He was buried in St. Paul’s and by his death he became a national hero.

  As an act of reconciliation Canute, king of Denmark, England and Norway, in 1023 translated the body to Canterbury where it was buried near the high altar. Later Lanfranc confirmed the cult, and had a Life and Office written in his honour, and Thomas Becket just before his death commended his cause to God and Alphege.

  Blessed Isnard was born at Chiampo, near Vicenza, Italy, toward the end of the twelfth century and entered the Dominican Order at Bologna around 1218. He was known as “a fervent religious, a grace-filled preacher, and a virgin in body and mind,” as well as a worker of miracles. He founded the priory of Pavia which he wisely governed until his death on March 19, 1244.

  Blessed Sibyllina, born at Pavia, Italy, about 1287, was left an orphan when quite young and at the age of twelve was afflicted with total blindness. The Sisters of Penance befriended her and clothed her in the habit of the Dominican Order. She had a special devotion to Christ crucified and to the Holy Spirit. She lived as a recluse at the church of the Preachers where many people sought her out, asking for her prayers. She died on March 19, 1367.

  He is famous not only for the beauty of expression of his homilies but also for his hymns, which have spread far beyond his native Syriac church and are in use in East and West alike.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.