It is a rule of the Church that saints are to be celebrated for what they are and what they do – to serve as examples of heroic virtue for us all – and not merely for what happens to them. There is no way that we can all go off and have visions of Our Lady, and the world would be a madhouse if we tried. So what of Bernadette? What heroic virtue has she that we should imitate? There are two: suffering, and humility.

  Bernadette was seriously ill with asthma all her life and she died young; but she never let illness be an excuse for anything – how many times do we, feeling a little unwell, use that as an excuse for being bad-tempered or simply not doing what we ought?

  To move away from Bernadette for a moment: imagine that you are a poor working-class boy with little education who happens to be good at kicking a ball about. Within a few years you find yourself earning more, annually, than your father earned in his entire lifetime. You receive attention, adulation, status – all that you could possibly desire. People emulate you. They hang on your every word. How would you feel? How would you act?

  Next, imagine that you are a poor girl – not even working-class, because your father hardly ever has any work – poor in a way that we can hardly conceive of – unintelligent and uneducated, and suddenly something happens to you. Overnight you are famous. People come in crowds to see you (sometimes the police have to control them). Everyone treats you with respect and admiration. They hang on your every word and ask you, over and over, questions about even the tiniest detail of your experience. They press coins into your family’s hands. You shut yourself up in a convent far from home, but even there you are constantly visited by bishops and other eminent persons who just want a quick look at you.

  Wouldn’t that turn your head? Just a little? Wouldn’t you think that there must be something about you that made you worth seeing? However tiny that something was?

  Here is Bernadette’s response, in conversation with one of the nuns:

  “What do you do with a broom?”

  “Why, sweep with it, of course.”

  “And then?”

  “Put it back in its place.”

  “Yes. And so for me. Our Lady used me. They have put me in my corner. I am happy there, and stay there.”

  Saint Bernadette Soubirous is patron saint of the sick, and rightly so. But if there is to be a patron saint of celebrities and footballers, Bernadette would be a wise choice for that task too.

  ‘Saturdays stand out among those days dedicated to the Virgin Mary. These are designated as memorials of the Blessed Virgin Mary. This memorial derives from Carolingian times (9th century), but the reasons for having chosen Saturday for its observance are unknown. While many explanations of this choice have been advanced, none is completely satisfactory from the point of view of the history of popular piety.

  ‘Whatever its historical origins may be, today the memorial rightly emphasizes certain values to which contemporary spirituality is more sensitive. It is a remembrance of the maternal example and discipleship of the Blessed Virgin Mary who, strengthened by faith and hope, on that “great Saturday” on which Our Lord lay in the tomb, was the only one of the disciples to hold vigil in expectation of the Lord’s resurrection. It is a prelude and introduction to the celebration of Sunday, the weekly memorial of the Resurrection of Christ. It is a sign that the Virgin Mary is continuously present and operative in the life of the Church.’

  Directory on Popular Piety and the Liturgy (2001), §188

  Guido of Vicchio was born in the region of Tuscany in 1386 or 1387 and studied art in Florence while still a young man. Feeling drawn to religious life he entered the Dominican Order at the convent of San Domenico in Fiesole. This convent had recently been established as a house of regular observance by Blessed John Dominic whose name he took when he entered. He served as superior of San Domenico, promoted regular observance and handed on the fruits of his contemplation through his paintings for the altars at Fiesole and for the convent of San Marco in Florence. He was called to Rome by Pope Eugene IV to decorate two chapels, one in the Basilica of St. Peter and one in the Vatican. Pope Nicholas V also commissioned him to decorate his private chapel at the Vatican. His work is also found in the convent of San Domenico in Cortona and the cathedral at Orvieto. Pope Eugene IV wished to appoint him archbishop of Florence, but he declined in favor of Saint Antoninus. On February 18, 1455, he died in Rome at Santa Maria sopra Minerva and was buried there. The special quality of his painting earned him the title “Fra Angelico.”