In 1723, after a long process of discernment, he abandoned his legal career and, despite his father’s strong opposition, began his seminary studies. He was ordained a priest on December 21, 1726, at the age of 30. He lived his first years as a priest with the homeless and marginalized young people of Naples. He founded the “Evening Chapels”. Run by the young people themselves, these chapels were centres of prayer, community, the Word of God, social activities and education. At the time of his death, there were 72 of these chapels with over 10,000 active participants.

  In 1729, Alphonsus left his family home and took up residence in the Chinese College in Naples. It was there that he began his missionary experience in the interior of the Kingdom of Naples where he found people who were much poorer and more abandoned than any of the street children in Naples.

  On November 9, 1732, Alphonsus founded the Congregation of the Most Holy Redeemer, popularly known as the Redemptorists, in order to follow the example of Jesus Christ announcing the Good News to the poor and the most abandoned. From that time on, he gave himself entirely to this new mission.

  Alphonsus was a lover of beauty: musician, painter, poet and author. He put all his artistic and literary creativity at the service of the mission and he asked the same of those who joined his Congregation. He wrote 111 works on spirituality and theology. The 21,500 editions and the translations into 72 languages that his works have undergone attest to the fact that he is one of the most widely read authors. Among his best known works are: The Great Means of Prayer, The Practice of the Love of Jesus Christ, The Glories of Mary and The Visits to the Most Holy Sacrament. Prayer, love, his relationship with Christ and his first-hand experience of the pastoral needs of the faithful have made Alphonsus one of the great masters of the interior life.

  Alphonsus’ greatest contribution to the Church was in the area of Moral Theological reflection with his Moral Theology. This work was born of Alphonsus’ pastoral experience, his ability to respond to the practical questions posed by the faithful and from his contact with their everyday problems. He opposed the sterile legalism which was suffocating theology and he rejected the strict rigorism of the time… the product of the powerful elite. According to Alphonsus, those were paths that were closed to the Gospel because “such rigour has never been taught nor practised by the Church”. He knew how to put theological reflection at the service of the greatness and dignity of the person, of a moral conscience, and of evangelical mercy.

  Alphonsus was consecrated bishop of St. Agatha of the Goths in 1762. He was 66 years old. He tried to refuse the appointment because he felt too old and too sick to properly care for the diocese. In 1775, he was allowed to retire from his office and went to live in the Redemptorist community in Pagani where he died on August 1, 1787. He was canonized in 1839, proclaimed a Doctor of the Church in 1871 and Patron of Confessors and Moralists in 1950.

  In 428, Nestorius, the new Patriarch of Constantinople (and hence one of the most important bishops in the world) made statements that could be interpreted as denying the divinity of Christ. The dual nature – human and divine – has always been hard for us to accept or understand, and if it seems easy it is only because we have not thought about it properly. Those who dislike problems have had two responses: to deny the human nature of Christ or to deny his divinity: and either leads to disaster, since both deny the Incarnation and hence the divinisation of human nature.

  Cyril fought strongly against the teachings of Nestorius and took the lead at the Council of Ephesus, plunging into the turbulent politics of the time and defending the Catholic faith through to its ultimate victory.

  Cyril wrote many works to explain and defend the Catholic faith. He died in 444.

  In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.