Christ the Lord has promised us the Holy Spirit: come, let us adore him, alleluia.
Year: A(II). Psalm week: 3. Liturgical Colour: White.
About the author of the Second Reading in today's Office of Readings:
Second Reading: St Gregory of Nyssa (335 - 395)
Gregory of Nyssa was the younger brother of St Basil of Caesarea (“St Basil the Great”). He, Basil and Gregory Nazianzen, “Gregory of Nazianzus”, are known as the Cappadocian Fathers. They were active after the Council of Nicaea, working to formulate Trinitarian doctrine precisely and, in particular, to pin down the meaning and role of the least humanly comprehensible member of the Trinity, the Holy Spirit. Basil was the leader and organizer; Gregory of Nazianzus was the thinker, the orator, the poet, pushed into administrative and episcopal roles by circumstances and by Basil; and Gregory of Nyssa, although not a great stylist, was the most gifted of the three as a philosopher and theologian. Together, the Cappadocian Fathers hammered out the doctrine of the Trinity like blacksmiths forging a piece of metal by hammer-blows into its perfect, destined shape. They were champions – and successful champions – of orthodoxy against Arianism, a battle that had to be conducted as much on the worldly and political plane as on the philosophical and theological one.
The works of Gregory of Nyssa whose extracts appear as Second Readings are not as rhetorically beautiful as those of Gregory of Nazianzus, who was an acclaimed orator; but they are helpful and clear. Most of them are commentaries on Scripture passages. They involve the mind and deepen the understanding.
Liturgical colour: white
White is the colour of heaven. Liturgically, it is used to celebrate feasts of the Lord; Christmas and Easter, the great seasons of the Lord; and the saints. Not that you will always see white in church, because if something more splendid, such as gold, is available, that can and should be used instead. We are, after all, celebrating.
In the earliest centuries all vestments were white – the white of baptismal purity and of the robes worn by the armies of the redeemed in the Apocalypse, washed white in the blood of the Lamb. As the Church grew secure enough to be able to plan her liturgy, she began to use colour so that our sense of sight could deepen our experience of the mysteries of salvation, just as incense recruits our sense of smell and music that of hearing. Over the centuries various schemes of colour for feasts and seasons were worked out, and it is only as late as the 19th century that they were harmonized into their present form.